Life

Why Small Pleasures Matter

We often drive ourselves in pursuit of large pleasures: traveling to a foreign country, shipping a disruptive project, going to a once-in-a-lifetime music event.

A cult of the exotic or unusual.

But there are other, many small pleasures lying around us that can bring us a wealth of joy, comfort, and creativity with little cost and effort.

“Small pleasures” as portrayed by the book of the same title written by The School of Life, are those things we enjoy but are currently underrated, or those we fail to pay enough attention to.

One fundamental issue with small pleasures is that we tend to get used to places, people, or activities, and things that are familiar lose their power to entice the imagination if we stop being aware.

 
Personal archive (2020)

Personal archive (2020)

 
 
If anyone can have it, if it’s easy to come by at home, if it’s a pleasure that’s best repeated, then it can’t be important. Yet the fact is, many of the things that do give us satisfaction have just this character.
— Small Pleasures (2016) p. 237
 

As a practice of noticing, after reading this book and also seeing Austin Kleon’s logbook, I started journaling random things or happenings on a daily basis, and here are some in no particular order:

  1. Deep breaths

  2. Feeling warm sunlight hitting you on a cold winter day

  3. Flowers

  4. Fresh bread

  5. Long hugs

  6. Sitting at a bench and people-watching

  7. Old photos

  8. Trying food ingredients or meals you have never tasted before (like nutritional yeast which I had never tried until recently but is amazing on popcorn)

  9. Laughing loudly

  10. A beautiful ceramic plate

  11. Being awake at dawn

  12. The voice of loved one

  13. Going to a park

  14. A glass of cold water

  15. Guessing the exact word someone was going to say

  16. A good night’s rest

  17. Lighting candles

  18. Fresh orange juice

  19. A well-made bed

  20. Lying on the grass

  21. Long walks

  22. Reading a book in one sitting

  23. Gazing at the sky

  24. Dancing

  25. A good stretch

  26. Twinkle lights

  27. A bicycle ride

  28. The sound of waves

  29. Fresh herbs

  30. A day with no plans

  31. Walking barefoot

  32. Nice stationery

  33. Chocolate

  34. A nap

  35. Falling into research rabbit holes

  36. A facial massage

  37. Figs

  38. Movie night

  39. The farmers market

  40. Learning a new word

  41. Fixing something

  42. Starting a conversation

  43. Dressing up for no reason

  44. Watering plants

  45. A refillable fountain pen

  46. Reading poetry

  47. Essential oils

  48. Music playlists

  49. Observing trees

  50. Discovering the work of someone inspiring

 

And the list could go on forever.

What is important is that we begin to map the things that bring us pleasure and enjoyment, no matter how small they are (step 1). The point isn’t simply to note them but to understand why we like them – which intensifies and deepens the satisfaction they offer.

The map of our personal delights probably speaks greatly about what we love, and ultimately, who we are.

These pleasures give us more creativity, happiness, and inspiration.

But we tend to leave the reality of experiencing them very much to chance. We need to make a consistent space for small pleasures in our daily life, making them part of our plans (step 2).

As pointed out in the book, “our collective model of a good life tends to focus on career progress and financial management”. Those are things we actively seek out. Why don’t we do the same for small pleasures?

Ideally, we’d schedule more appointments. We’d put it in our plans: Sunday 10 am, staring at the sky. We’d create rituals from them so we can experience them with more frequency when we work, play, and rest.

The normal attitude to small pleasures is to think that they are, individually, perfectly nice but that they are rather insignificant. They come at random into our lives. We savor them for a moment, and then they’re gone.

However, “small pleasures turn out not to be small at all: they are points of access to the great themes of our lives.” (p. 9)

@silviagilroldan

@silviagilroldan


References:

  1. The School of Life Press. (2016) Small Pleasures.


The Gap

I know that I’m not as good as I want to be in several areas of creative practice (drawing, public speaking, to name a few). It doesn’t mean that I do a bad job, it can serve its purposes well (and if it doesn't, then it's better to delegate it to someone else).

But it could be fantastic, because you can recognize fantastic work when it’s in front of you. And knowing that it’s not there yet secretly drives me crazy sometimes.

Can’t everyone see?

So I found great relief in the advice of This American Life’s host and producer Ira Glass, where he speaks precisely about this feeling:

Animation by David Shiyang Liu.

Nobody tells people who are beginners — and I really wish somebody had told this to me — is that all of us who do creative work … we get into it because we have good taste. But it’s like there’s a gap, that for the first couple years that you’re making stuff, what you’re making isn’t so good, OK? It’s not that great. It’s really not that great. It’s trying to be good, it has ambition to be good, but it’s not quite that good. But your taste — the thing that got you into the game — your taste is still killer, and your taste is good enough that you can tell that what you’re making is kind of a disappointment to you, you know what I mean?

A lot of people never get past that phase. A lot of people at that point, they quit. And the thing I would just like say to you with all my heart is that most everybody I know who does interesting creative work, they went through a phase of years where they had really good taste and they could tell what they were making wasn’t as good as they wanted it to be — they knew it fell short, it didn’t have the special thing that we wanted it to have.

And the thing I would say to you is everybody goes through that. And for you to go through it, if you’re going through it right now, if you’re just getting out of that phase — you gotta know it’s totally normal.

And the most important possible thing you can do is do a lot of work — do a huge volume of work. Put yourself on a deadline so that every week, or every month, you know you’re going to finish one story. Because it’s only by actually going through a volume of work that you are actually going to catch up and close that gap. And the work you’re making will be as good as your ambitions. It takes a while, it’s gonna take you a while — it’s normal to take a while. And you just have to fight your way through that, okay?
 

It's easier to recognize beauty than it is to create it. 

When you find yourself in this frustrating limbo, the challenge is to never forget what got you there in the first place. You already have good taste. Go build work until it matches your ambitions. Close the gap.